Kite Aerial Photography
Never seen aerial virtual reality images before? Here's how they are made:
They are a combination of aerial photography and Virtual Reality photography. Aerial Photography is what this site is about, VR is added to give the viewer an even more intense experience.
VR uses extremely wide angle lenses to capture as much of what is around the camera as possible, typically 3 or 4 images are taken with a fisheye lens at the four points of the compass, then optionally a shot pointing straight up, and one pointing down. These are then merged using special software into an equirectangular image which covers 360° from right to left, and 180° from top to bottom.
With a kite the platform is rarely stable enough to perform this work successfully, as the images must be taken from exactly the same point so there are no visible errors in the finished product. However with aerial shots there is rarely anything above the horizon, which allows a simplified approach to be used, as pioneered by Philippe Hurbain.
Up to 2011 the camera was flown in a special rig with a single lens pointing straight down (e.g. RIG05, RIG06, RIG07). As the field of view is 183° then the resulting image includes all the subject and the entire horizon as in the example on the left.
With nothing of interest "above" the horizon, then Philippe's technique is workable.
However the resulting image, based on one lens, has limited resolution.
In both methods multiple shots are taken during the flight, and those without
the horizon visible as a complete circle are discarded.
For effect I flew the kite from this location, although at this
point the camera is no longer on the kite. From this high vantage point the
horizon is clear, with the exception of one small part of the tower roof
The circular horizon has become a straight line, and the point
immediately below the camera has become a line along the bottom of the picture,
in the same way as the South Pole on a Mercator Projection map of the world.
The 4 camera version produces the same result but with a scalloped sky,
the key point is that the lower hemisphere is the same, we will move onto the sky next...
At this point the remaining roof is edited out, scallops removed, the sky is colour matched to the ground, and the sun is placed so the shadows are correct.
Sometimes a "stock" sky is used if it is not possible
to get a good view from the location.
Note that it isn't important that the kite is clipped at the edge of the image, there is no edge, they are the same point!
Finally this image is used with HTML5 or Flash Player (although in the
past I have used Shockwave, Java, and Quicktime) to
produce the viewable version that the web-viewer sees.
All images on this site (unless explicitly stated) are the property of James Gentles under the UK Copyright, Designs & Patents Act 1988.